World Cups are not only about the football. They are also about who gets to document the sport’s biggest stage.
In a profession where access is everything, repeat selection usually carries weight. It points to trust, resilience and the ability to deliver under pressure in fast-moving environments.
The strongest part of this story is not just the credential itself. It is what the credential appears to represent.
Football’s global audience keeps expanding, and the demand for richer visual storytelling is only growing. That makes representation behind the lens more important, not less.
The real test now is the tournament build-up. As 2026 approaches, attention will turn to how World Cup media teams are assembled, who gets access, and whether more women from India and across Asia can break into those spaces. For Talukdar, the next storyline is simple: turning a landmark selection into another defining World Cup body of work.