Fatehi’s comments frame Pepeta as the starting point for her work behind the camera. She reportedly used that experience to develop a stronger role in shaping, financing and protecting her own artistic ideas.
That matters in football’s biggest cultural moments. World Cup music projects are expected to travel far beyond stadiums, connecting artists with audiences who may not follow the sport closely. For Fatehi, the opportunity appears to represent both a career step and a chance to bring her creative identity into a worldwide sporting conversation.
The report says Fatehi also thanked the long-term team that has supported her for almost nine years. She credited that group with helping her push through the uncertainty surrounding a project of this scale.
“Eu não conseguiria fazer isso sem eles. Crescemos muito juntos. Obrigada por ficarem ao meu lado e acreditarem em mim”, Fatehi said.
The emotion in that message is significant. Her account presents Siir Siir not simply as an individual achievement, but as the result of a partnership built over years of shared work and trust.
The exact nature and eventual reach of the project’s World Cup link will be important. It has been described as a musical project connected to the tournament, rather than confirmed here as an official competition anthem or programme.
That distinction will shape the next stage of the story. The key question now is how Siir Siir is released, how prominently its football connection is presented, and whether Fatehi’s production journey earns the global audience she is targeting.